Present Joys

corporatetimethief:

trudymade:

PPH

rough day at work

gotta browse that pph tag

Handsome.

I saw the Mountain Goats in Cincinnati last friday (14 jun 2013). It was as delightful and numinous as you’d expect. Some thoughts:

• I disliked the venue, which was the ballroom beneath the Taft Theatre. It was literally like a big, low-ceilinged basement room with harsh lighting. The sound was excellent, though, so I can’t complain.
• The opening band, the Baptist Generals, were excellent. A great mix of weird/artsy/distorty/polyrhythmy stuff and good, solid tunes.
• On to tMG: this whole tour, the band is just JD and PPH. The setup was very simple: two persian rugs, two guitars and one electronic keyboard for JD, and a bass for PPH. Super good. The stripped-down instrumentation was so much fun throughout the entire night.
• Specifically wonderful: the bass, the bass, the bass. Peter played that white fretless bass the whole time. (Which must be a new thing? The first time I noticed the fretless was last fall, and he only used it on a few of the Transcendental Youth songs.) I don’t know whether it was the more intimate venue or the lack of drums or Brandon Eggleston workin’ extra magic or what, but the sound of the instruments was crisp and articulate and wonderful.
• That isn’t to say that Wurster was not missed, because I missed him a lot! But it was so fun to have the bass as sole rhythm section. Several songs (“Alpha Rats Nest”, “Dance Music”) had fresh-feeling, reworked bass grooves that seemed to be a direct result of the simpler instrumentation.
• It was a cool set. Some old stuff, some new stuff. My two favorite parts: JD and PPH performing “Tallahassee” with JD on electric keyboard. Also: “Commandante”! There’s a song I wasn’t expecting to hear live. JD improvised some of the lyrics, at one point rhyming “the sayings of Chairman Mao” with “full Communism now”. Fantastic.
• Oh, yeah! “Alpha Chum Gatherer” is a real song, and it is very good.
• the bass! the bass! the bass! (Please imagine me shouting that à la John Flansburgh.)

Oh, how time flies! My all-time favorite Mountain Goats concert bootleg is fifteen years old! Have you heard it? Highlights include:

• Pre-Coroner’s Gambit versions of We Were Patriots and Family Happiness.
• A really good performance of Tulsa Imperative, a deep cut which JD wrote and PPH’s old band DiskothiQ recorded.
• My favorite version of Orange Ball of Hate (and I’ve got fourteen versions to compare it with).
• A fantastic cover version of Andrew Lloyd Webber’s Tell Me On a Sunday.
• Generally great audio quality (it’s a soundboard recording).
• Fun young-JD banter.

Listen to it! you’ll love it!

Cool, talented, fantastic people, photographed by John Vanderslice during the recording of Heretic Pride.

2012 has been a great year for live music. Here is further evidence: October 27, I drove to Chicago with friends Ian and Andrew to see the Mountain Goats. We slept in sleeping bags on Olivia’s apartment floor, got up early and went to Covenant PCA the next morning (which was a beautiful experience in its own right), and drove all the way home! A terrific jaunt. I could go on forever about tMG. They were amazing. tMG forums friend Thom recorded the show, so I’ve got a little memento. It was my first time in Chicago, and though I didn’t see a whole lot of the city, I enjoyed it a lot. The Vic Theatre was a pretty cool venue and I ended up quite close to the stage, which was great. And there’s really no topping a Mountain Goats show. Personal highlights included: “Wild Sage”, the full-band “Mess Inside” and “First Few Desperate Hours”, and (of course) “Tetrapod”. SO WORTH IT.